A Prayer for Those Growing Old (Unknown Source)

Lord, You know that I am growing older.
Keep me from becoming talkative and possessed
with the idea that I must express myself
on every subject.
Release me from the craving to straighten out
everyone's affairs.
Keep me from the recital of endless detail.
Give me wings to get to the point.
Seal my lips when I am inclined to tell of my
aches and pains. They are increasing with
the years and my love to speak of them
grows sweeter as time goes by.
Teach me the glorious lesson that occasionally
I may be wrong.
Make me thoughtful but not nosey;
helpful but not bossy.
With my vast store of wisdom and experience it
does seem a pity not to use it all. But You know,
Lord, that I want a few friends at the end.

And a song to go with the prayer, a song that I first heard in 1987 from a dear Friend Tom Nic down south

Father and Son - Edgar A. Guest

Be more than his dad,
Be a chum to the lad;
Be a part of his life
Every hour of the day;
Find time to talk with him,
Take time to walk with him,
Share in his studies
And share in his play;
Take him to places,
To ball games and races,
Teach him the things
That you want him to know;
Don’t live apart from him,
Don’t keep your heart from him,
Be his best comrade,
He’s needing you so!


Never neglect him,
Though young, still respect him,
Hear his opinions
With patience and pride;
Show him his error,
But be not a terror,
Grim-visaged and fearful,
When he’s at your side.
Know what his thoughts are,
Know what his sports are,
Know all his playmates,
It’s easy to learn to;
Be such a father
That when troubles gather
You’ll be the first one
For counsel, he’ll turn to.


You can inspire him
With courage, and fire him
Hot with ambition
For deeds that are good;
He’ll not betray you
Nor illy repay you,
If you have taught him
The things that you should.
Father and son
Must in all things be one –
Partners in trouble
And comrades in joy.
More than a dad
Was the best pal you had;
Be such a chum
As you knew, to your boy.

August Rush

WIKIPEDIA


Plot

A boy named Evan Taylor (Freddie Highmore) lives in an orphanage, all the while believing that his parents are alive. He believes the music that he hears all around him is his parents communicating with him. He meets a counselor, Richard Jeffries (Terrence Howard), of the New York Child Services Department. Evan tells him he does not want to be adopted, because he believes his parents are still alive and will come to collect him eventually.
Through a series of flashbacks, his parents are revealed to be named Lyla Novacek, (Keri Russell), a famous concert cellist, and Louis Connelly (Jonathan Rhys Meyers), an Irish guitarist and lead singer of a rock band, who spent one romantic night together and don't see each other for a long period of time. Lyla became pregnant, which her father did not approve of, instead wanting Lyla to have a successful career without the obstacle of a child. After an argument with her father, Lyla ran out of a restaurant and was hit by a car. While in hospital, she gave birth to a son. Afterwards, she was told by her father that her child "was gone", unaware that he had actually been delivered successfully and then been sent to an orphanage by her father.
Evan has a strong faith that as long as he follows the music he hears and reacts to it, he will have a chance to be found by his parents. He makes his way to New York City, where he is taken in by a man known as "Wizard" (Robin Williams), who houses various orphans and runaways, employing them to play music on the streets and taking a large cut of their tips. Evan immediately proves to be a musical child prodigy. Wizard enlists him and gives him the name "August Rush", convincing him he will be sent back to the orphanage if his real name is ever discovered.
Lyla only discovers that her son is alive when her father, knowing that he is dying, confesses what actually happened. Lyla immediately sets out to New York to look for her 11-year-old son.
After a raid by the police, Evan takes refuge in a church, where he again impresses with his natural musical talent and is enrolled at the Juilliard School as "August Rush." A work he composes is chosen to be performed by the New York Philharmonic in Central Park, but Wizard barges into a rehearsal, and Evan reluctantly follows him back to his life of performing music on the streets.
Meanwhile, Lyla has discovered Evan's identity and has decided to stay in New York while searching for her son. While there, she decides to resume her cello career. She is then chosen to play in the same concert, which features Evan's piece. Louis, wrongly assuming that Lyla has since married, also returns to New York to resume playing with his former band. He has a chance meeting with Evan in Washington Square Park and they play music together, although neither knows who the other is.
The night of the concert, Evan finally chooses to run from Wizard in favor of performing at his concert. In the meantime, Louis races to the park when he sees Evan's pseudonym along with Lyla's name on a sign billing the concert. Evan conducts his piece, and at its conclusion, he turns around to see Lyla and Louis standing hand in hand, and he finally makes the connection that they are his parents. - Wikipedia

This clip is the guitar duel between Jonathan Rhys Meyers and Freddie Highmore.

The Blues Brothers Movie (1980)

The Blues Brothers is a 1980 musical comedy film directed by John Landis and starring John Belushi and Dan Aykroyd as "Joliet" Jake and Elwood Blues, characters developed from a musical sketch on the NBC variety series Saturday Night Live. It features musical numbers by R&B and soul singers James Brown, Cab Calloway, Aretha Franklin, Ray Charles, and John Lee Hooker. The film is set in and around Chicago, Illinois, and also features non-musical supporting performances by John Candy, Carrie Fisher, Charles Napier, and Henry Gibson.
The story is a tale of redemption for paroled convict Jake (Belushi) and his brother Elwood (Aykroyd), who take on "a mission from God" to save from foreclosure the Catholic orphanage in which they grew up. To do so they must reunite their rhythm and blues band, The Blues Brothers, and organize a performance to earn $5,000 to pay the tax assessor. Along the way they are targeted by a destructive "mystery woman", Nazis, and a country and western band—all while being relentlessly pursued by the police.
Released in the United States on June 20, 1980, it received generally good reviews. It earned just under $5 million in its opening weekend and went on to gross $115.2 million in theaters worldwide before its release on home video.

The Legends of 1900

Plot Summary for
The Legend of 1900 (1998)
La leggenda del pianista sull'oceano (original title)


Shortly after the Second World War, Max, a transplanted American, visits an English pawn shop to sell his trumpet. The shopkeeper recognizes the tune Max plays as one on a wax master of an unreleased recording, discovered and restored from shards found in a piano salvaged from a cruise ship turned hospital ship, now slated for demolition. This chance discovery prompts a story from Max, which he relates both to the shopkeeper and later to the official responsible for the doomed vessel, for Max is a born storyteller. Though now down on his luck and disillusioned by his wartime experiences, the New Orleans-born Max was once an enthusiastic and gifted young jazz musician, whose longest gig was several years with the house band aboard the Virginian, a posh cruise ship. While gaining his sea legs, he was befriended by another young man, the pianist in the same band, whose long unlikely name was Danny Boodman T.D. Lemons 1900, though everyone just called him 1900, the year of his birth. Abandoned in first class by his immigrant parents, 1900 was found and adopted by Danny, a stoker, and raised in the engine rooms, learning to read by reading horseracing reports to his adoptive dad. After Danny's death in an accident, 1900 remained on the ship. Increasingly lured by the sound of the piano in the first-class ballroom, he eventually became a gifted pianist, a great jazz improvisationist, a composer of rich modern music inspired by his intense observation of the life around him, the stories passengers on all levels of the ship trusted him enough to tell. He also grew up to be a charming, iconoclastic young man, at once shrewd and oddly innocent. His talent earned him such accolades that he was challenged by, and bested Jelly Roll Morton in an intense piano duel that had poor Max chewing paper on the sofa in agonies of suspense. And yet for all the richness and variety of his musical expression, he never left the ship, except almost, once, in the aftermath of his infatuation with a beautiful young woman immigrant who inspired the music committed to the master Max discovers in the pawnshop. Max realizes that 1900 must still be on the ship, and determines to find him, and to find out once and for all why he has so consistently refused to leave. Written by GMBaxter - http://www.imdb.com/title/tt0120731/plotsummary


The following clips are the duel between T.D. Lemon 1900 and supposedly Jelly Roll Morton.

Crossroads (1986) - Guitar Duel

This particular clip is the duel between Steve Vai and Ralph Macchio.

Ralph Macchio is Lightning Boy. A kid who can make a slide guitar sing. Blind Dog is an old pro who knows it. Together, they're headed to a place where deals are made. And legends are born - http://www.imdb.com/title/tt0090888/

Amadeus (The Movie) - Trailer

This goes well with my list of my favorite movies, Amadeus.

The incredible story of Wolfgang Amadeus Mozart, told in flashback mode by Antonio Salieri - now confined to an insane asylum - http://www.imdb.com/title/tt0086879/