Thursday, March 17, 2011

Ramsey Lewis - Spring High

This song reminds me so much of my High School days...


Sunday, March 13, 2011

Larry Carlton - Emotions Wound Us So (BlueNote Tokyo 1993)

Darn! See how Larry romances with his guitar. I can feel the emotions of the weeping guitar. lol

Quincy Jones - The Secret Garden (Sweet Seduction Suite)

This song is from the album "Back on the Block", this album is star studded featuring some of the best musicians and artists of the 80s.


Sunday, March 6, 2011

Busy Sunday for me

So little time, so many works to do... these two guys keep my Sunday alive and rockin


Saturday, March 5, 2011

Virtuosos (Bass) - Nathan East with Patti Ballinas

WIKIPEDIA

Nathan Harrell East (born December 8, 1955, in Philadelphia, Pennsylvania) is a jazz, R&B and rock bass player and vocalist. East holds a Bachelor of Arts degree in Music from the University of California, San Diego (1978). He has recorded, performed and co-written songs with performers such as Eric Clapton, Joe Satriani, Phil Collins and Stevie Wonder.

Virtuosos (Bass) Abraham Laboriel and Lee Ritenour

WIKIPEDIA

Abraham Laboriel, Sr. (born July 17, 1947) is a Mexican bassist of Garifuna descent who has played on over 4,000 recordings and soundtracks.[citation needed] Guitar Player Magazine described him as: "the most widely used session bassist of our time".[citation needed] Laboriel is the father of drummer Abe Laboriel Jr. and of producer, songwriter, and film composer Mateo Laboriel.

Laboriel was born in Mexico City. Originally a classically trained guitarist, he switched to bass guitar while studying at the Berklee School of Music. Henry Mancini encouraged Laboriel to move to Los Angeles, California and pursue a recording career.[1] Since then, he has worked with artists as diverse asDonald Fagen, Lee Ritenour, Christopher Cross, Larry Carlton, Dave Grusin, Andy Pratt, Stevie Wonder, Hanson, Barbra Streisand, Al Jarreau, Billy Cobham, Dolly Parton, Elton John, Ray Charles, Madonna, Paul Simon, Keith Green,Carlos Skinfill, Alvaro Lopez and Res-Q Band, Lisa Loeb, Quincy Jones, Leo Sayer, Russ Taff, Engelbert Humperdinck, Andy Summers, Umberto Tozzi, Ron Kenoly, Rabito, Johnny Hallyday, Crystal Lewis, Lalo Schifrin,Herbie Hancock, Chris Isaak, Paul Jackson Jr., and Michael Jackson. When Laboriel recorded his three solo albums (Dear Friends, Guidum, and Justo & Abraham), he recruited a cast of musicians that included Alex Acuña, Al Jarreau, Jim Keltner, Phillip Bailey, Ron Kenoly, and others.

Laboriel was a founding member of the bands Friendship and Koinonia. He plays live regularly with Greg Mathieson, drummer Bill Maxwell, and Justo Almario. Abraham is now in the band Open Hands with Justo Almario, Greg Mathieson, and Bill Maxwell.

In 2005, Abraham was awarded an Honorary Doctorate of Music by the Berklee College of Music.



Virtuosos (Bass) - Charles Mingus

WIKIPEDIA

Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz musician, composer, bandleader, and civil rights activist.

Mingus's compositions retained the hot and soulful feel of hard bop and drew heavily from black gospel music while sometimes drawing on elements of Third stream, free jazz, and classical music. Yet Mingus avoided categorization, forging his own brand of music that fused tradition with unique and unexplored realms of jazz.

Mingus focused on collective improvisation, similar to the old New Orleans Jazz parades, paying particular attention to how each band member interacted with the group as a whole. In creating his bands, Mingus looked not only at the skills of the available musicians, but also their personalities. Many musicians passed through his bands and later went on to impressive careers. He recruited talented and sometimes little-known artists whom he assembled into unconventional and revealing configurations. As a performer, he was a pioneer in double bass technique.

Nearly as well known as his ambitious music was Mingus' often fearsome temperament, which earned him the nickname "The Angry Man of Jazz." His refusal to compromise his musical integrity led to many on-stage eruptions, exhortations to musicians, and dismissals.[1]

Because of his brilliant writing for mid-size ensembles—and his catering to and emphasizing the strengths of the musicians in his groups—Mingus is often considered the heir apparent to Duke Ellington, for whom he expressed great admiration. Indeed, Dizzy Gillespie had once claimed Mingus reminded him "of a young Duke", citing their shared "organizational genius."[2]

Although Mingus' music was once believed to be too difficult to play without Mingus' leadership, many musicians play Mingus compositions today, from those who play with the repertory bands Mingus Big Band, Mingus Dynasty, and Mingus Orchestra, to the high school students who play the charts and compete in the Charles Mingus High School Competition.[3]

In 1988, a grant from the National Endowment for the Arts[4] made possible the cataloging of Mingus compositions, which were then donated to the Music Division of the New York Public Library[5] for public use. In 1993, The Library of Congress acquired Mingus's collected papers—including scores, sound recordings, correspondence and photos—in what they described as "the most important acquisition of a manuscript collection relating to jazz in the Library's history"